Introduction to Lighting
Foreword
Introduction
Properties of Light
-Hard Light/Soft Light
Colour Temperature
-White Balance
Film Lights
-Redheads & Blondes
-HMIs & Halogens
Three Point Lighting
Intermediate concepts
-Natural Light, Bouncing
-Outdoors, Sharing
-Shadows, Depth
Appendix: Depth Perception
-Binocular Cues
-Monocular Cues
--Relative Size, Interposition
--Clarity, Motion, Light & Shadow
--Texture Gradient, Linear Perspective
About Phillips Mcintosh
Monocular Cues
Relative Motion
When an observer moves, the apparent relative motion of several stationary objects against a background gives hints about their relative distance. If information about the direction and velocity of movement is known, motion parallax can provide absolute depth information. This effect can be seen clearly when driving in a car. Nearby things pass quickly, while far off objects appear stationary.
Light and Shadow
Closer objects reflect more light than further objects. Thus brighter objects appear closer. This can be achieved through the object being more reflective or being better lit.
When an object casts a shadow on another, we assume that it is in front. This relates to the cue of interposition.
Relative Clarity
“Fuzzy” objects appear further than “sharper”, clearer objects. This is noticeable when people try to judge distances in fog, mist or rain.
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